![]() Smile and Cherry, our girl and boy, would fare very well in this kind of reviewers’ test. Usually, the relative strength or weakness of the romance plot hinges on the winsomeness of the MCs: is the girl a unique and refreshing take on the Quirky Girl trope? Is the boy’s particular brand of awkwardness heart-warming? Are their insecurities both relatable and under-represented enough in the genre to warrant watching? The premise of the movie is pretty standard: boy meets girl each has their own insecurities summer months roll by as they draw closer to one another, culminating in a dramatic confession scene. But this actually speaks to the kind of harmony between opposites that lies at the heart of this story… (Incidentally, the masterful composer Kensuke Ushio, of A Silent Voice fame, did the soundtrack for both of these last two projects as well as Words Bubble Up Like Soda Pop.)Īt first these two styles may seem at odds. The boldness of the visual palette contrasts with the fineness of the line work and the use of kagenashi-or shadowless, almost flat color design, a style the studio adopts in Mars Redtoo, and which is reminiscent of Liz and the Blue Birdand Japan Sinks 2020. The human eye takes about twenty minutes to adjust to new color palettes, so if at first you find it a bit much, just hang in there because you’re about to be blown away by the movie’s vision of a world so full of color you can taste it. ![]() The haiku film takes the popping color scheme of the studio’s earlier works like FLCL Progressiveand The Wonderland, and turns the hue saturation up to 110%, electrifying the visuals like neon lights. Words Bubble Up Like Soda Pop comes to us from studio Signal.MD, a relative newcomer (spun off from Production I.G) with a nevertheless diverse portfolio. ![]() Haiku explode typical grammar patterns and common clichés in a search for new ways of expressing the beauty of nature, and this is exactly what this movie, from Your Lie in April director Kyohei Ishiguro, does for the romance anime, both in its plot and its art. This use of haiku is not simply a way of flagging up the lyrical idiosyncrasy of one of the main characters though it also foreshadows the very nature of the movie itself as a creative work born of unexpected juxtapositions-a whole that represents more than the sum of its parts. Both characters cannot communicate their frustrations properly, and as a heartbroken Smile walks off, Cherry falls to the floor, weeping.The title, Words Bubble Up Like Soda Pop, is a haiku, the 17 th century poetic form consisting of seventeen syllables written in three lines of five, seven, and five syllables. Cherry reveals to Smile that he and his family are moving, meaning they will not see each other again. Feeling guilty, she keeps apologizing to the older man.Īs we reach nearer to the end, there’s more heartbreak for the two lead characters. However, tragedy strikes! Smile accidentally breaks the old record when she was trying to straighten it, and she is distraught. But then, Cherry finds the old record behind the fridge. He used to own a records shop, so they look there.Ĭherry and Smile go through every single record at the store, but their findings come up with nothing at first. Fujiyama is upset - he wants to find an old record by his deceased wife, a beautiful singer. As we reach the third act of Words Bubble Up Like Soda Pop, Cherry and Smile find a unified purpose, an objective, which they are both eager to complete. They clearly like each other and cutely struggle to express their feelings. Throughout the Netflix anime film, Cherry and Smile form an unlikely friendship with romantic undertones. This article discusses the ending of the Netflix anime film Words Bubble Up Like Soda Pop, so it will contain major spoilers.
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